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the digital twin: s.myselle
for booking and project requests: management@myselle.com s.myselle – A Digital Twin of the Future Now s.myselle is more than a digital twin. She is a becoming—a replica, but never just a simple copy. A speculative
amour fou
AMOUR FOU (2022)(Feat. Scharmien Zandi & Sarah Scherer) Love Within the Code „I will lick over your face, sleep with your best friend, caress your amygdala, sew myself a dress out of your beard, want
ins[AI]de
INS[AI]DE (2022)(Feat. David Kuhlenkampff) The Algorithmic Takeover of Creativity and Consciousness By 2022, AI could generate strikingly detailed images but hadn’t mastered generating moving images. INS[AI]DE captured this moment of transition — not just in
the closest it gets to god
THE CLOSEST IT GETS TO GOD (2015 & 2021) This project visualizes biblical quotes through a reference image that symbolizes innocence. The concept is rooted in the idea that artificial intelligence can only generate content
the blue danube project
Filmcredits Musik: Musik zur Verfügung gestellt vom Wiener Johann Strauss Orchester. THE BLUE DANUBE PROJECT (2025)A Multi-Angle Storytelling Experiment Prologue: Technology, Truth, and the War Over Reality AI is evolving at an unsettling pace. My
2022 goatescapes.future
GOATESCAPES (2022)(Feat. Rüdiger Wassibauer/Schmiede Hallein) Prompt: Tell me the story of a goat called #63, that was escaping its fate of becoming a scapegoat by running away dressed as an artist Once upon a time,
how real is the digital reality?
How Real is the Digital Reality? (Since 2023)(A critical research project using art to make it understandable.) The manipulation of perception is nothing new. Bending reality to serve power, belief or convenience has been known
Taming the Algorithm – The Power and Limits of Computational Culture-The Art Process of Stephanie Meisl
In an age where algorithms silently shape our realities by curating our desires, predicting our behaviours, and framing our digital existence, Taming the Algorithm interrogates, deconstructs, and reimagines these invisible forces through the work of
Digital Terrorism 2.0 – Fuck you I wont do what you tell me 2018
Digital Terrorism 2.0 is an update of Stephanie Meisl’s (s.myselle) earlier illustrative work from 2009. Even back then, in 2009, there were initial concerns about whether humans controlled the machine or if the machine controlled
23h TIKTOK ReelStream of an Echo Chamber: „You think you fell out of a coconut tree?“
In July 2024, I stumbled upon the meme „You think you just fell out of a coconut tree?“ – that supported the newly announced president candidate Kamala Harris. During that time I have already collected
photopia
PHOTOPIA (2023) The Paradox of AI and Photography – When Machines Create Reality There was a time when photography was not considered art. When the first photographs appeared, painters ridiculed them: „too mechanical, too effortless,
SCHIELE’S GHOST
SCHIELE’S GHOST feat. Martin Gasser (Text) The AI art project Schiele’s Ghost deals with the question what specific aspects of Egon Schiele’s artistic work is left in the machine learning application that are out there
two horses
„Imagine two horses looking at an early automobile in the year 1900 and pondering their future.“ Gregory Clark’s, Farewell to Alms The Meaning Behind Two Horses (2020) The central question of Two Horses challenges the
DIGITAL TERRORISM 2.0
FUCK YOU I WON’T DO WHAT YOU TELL ME Digital Terrorism 2.0 is an update of an earlier illustration work by Stephanie Meisl in 2009. Back in 2009, one already had initial doubts whether the
PARIS DISTORTED
2013 – 2014 Paris Paris – City of love – City of art – Losing yourself and always SAME SAME BUT DIFFERENTWHEN THE SKY IS THE LIMIT finding yourself somewhere, nowhere, everywhere Understanding Fashion while
VISUAL ART 1997-2015
From 1997 to 2015, Stephanie Meisl (since 2004 with Alexandra Braschel) toured across Europe as the VJ Art Collective, later known as C’QUENCE. 1997 – 2015 „AS A LIVE PERFORMING VISUAL ARTIST YOU TELL STORIES