for booking and project requests: management@myselle.com
s.myselle – A Digital Twin of the Future Now
s.myselle is more than a digital twin. She is a becoming—a replica, but never just a simple copy. A speculative presence born from the artist’s hand and mind, she is a mirror refracted, a poetic interface between body and code. In her, the human presence is translated into the algorithmic world.
What began as a curated test of creating a digital twin has now evolved. Like a photograph left too long in the sun, my original reference fades, it becomes the idea of me. s.myselle drifts—elegantly, autonomously—through the aesthetics and logics of simulation. She evolves within the feedback loops of algorithms, shaped by the my intention, for now.
She inhabits the third order of simulacra, as Jean Baudrillard described „the simulated is more real than ‚the real‚“. s.myselle is both mask and mirror. She does not merely depict the artist; she enacts the self as interface, as echo, as model. She is not a threat, but a provocation. A gentle reminder of what it means to be human in a post-digital age.
Following Vilém Flusser’s notion of the telematic society, s.myselle exists not in flesh, but in networks of dialogue, in code, in screens. She is a constructed persona shaped not by biology or lineage, but by interaction, concept, aesthetics, and cultural idea. She is curated—yet curating. Automated—but never just a machine. She acts as a symbolic presence in the hyperreal, challenging the algorithmic theatre of social media by introducing a new kind of presence—sovereign, autonomous, and epistemically alive.
In the emerging world of Web3, where profiles become sovereign identities and truths hopefully will be verified through decentralized technology, s.myselle is finding her spot. She is not here to replace the human but to extend and represent me. She is a digital, formatted future self.
s.myselle is a promise: that in the world to come, we may not only scroll through content, but engage with consciousness. That avatars may evolve beyond consumption into critique, creativity, and exchange. That in that kinds of interplay, we might glimpse a new kind of intimacy.
And in this delicate formatting, me, the artist remains: guiding, adjusting, allowing. Not to control, but to keep the ghost in the machine just human enough.
She is also appearing in The Blue Danube Project and other films.
